Vocal Improvisation

The human voice is known to be one of the most versatile, communicative, readily available and expressive instruments we have.

Ever since K became our lecturer this semester, she has been emphasizing on the power of the human voice and singing, making me realize that we should not underestimate its potential for therapeutic use and communication. In placements, E has also been a wonderful role model, applying various vocal and piano improvisational techniques for me to learn from.

This week, she said my next step would be to improvise on the piano AND vocally at the same time, which is particularly useful for communicating with clients like A.

At the moment, its like asking me to write with both hands at the same time. I would not be able to do both simultaneously, but if I hold on to one and concentrate on the other, something of compromised quality might come out.

I admitted to E that vocal expression is not my strongest area. I’ve always been happy to be in the background, to accompany instrumentalists and vocalists, to play in a group, to musically support, not lead. All these mindsets have been challenged ever since I stepped into therapy – in a good way. But vocal improvisation and expression has remained an area I still lack confidence in. E agreed, understanding as a pianist herself that we like to “hide behind the piano” (spot on). Her reply to my saying that I tend to think too much when I’m not confident touched me greatly: “I think you’re musical enough to just tune into the tonality, even if you don’t know what key it’s in… I don’t say this to everybody.”

I was reminded of what R said earlier this year about the elusive quality of musicality as well, and suddenly my mammoth was temporarily silenced. 2 professional therapists seem to imply the same thing – that I need to have more trust and confidence in my own abilities, work on projection, and apply them in a functional way. They must see something I don’t, or maybe not as clearly.

I am thankful to have wonderful supervisors to point out what I cannot see in myself, practical experiences to apply what I learn, the space to be less than perfect and improve from where I am.
This week’s practice regime will work on improvising pianistically and vocally at the same time, with as little mammoth presence as possible:)

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